PROGRAM:
- Digital distribution of music and on-line medias – Marc Benaiche (França)
- The democratization of electronic music in the digital era - Ady harley (Reino Unido)
- Qualify your content – Stefanie Marcus (Alemanha)
- Music is a form of life? – John Perry Barlow (EUA)
- Digital distribution: A matter of changing habits or changing conduts? – Felippe Llerena (Brasil)
- Into the Digital Groove – Marc Benaiche, Ady Harley, Stefanie Marcus, John Perry Marlow , felippe llerena
- Musical Technology in Pernambuco – Geber Ramalho e Silvio Meira (Brasil)
- How to succeed in the music business – Gerald Seligman (EUA) e Robert Urbanus (Reino Unido)
- Caranguejos com cérebro: the Recife Manguescene – Hélder Aragão a.k.a DJ Dolores (Brasil)
- Eletronic music in Brazil: A brief reporto n the evolution on the eletronic scene throught advertising agencies, clubs and festivals – Marcos Boffa (Brasil)
- The music production chain in Brazil - Luis Carlos Prestes Filho (Brasil)
- Acquiring music licenses for online and móbile use. The european perspective – Dr. Jur. Martin Schaefer (Alemanha)
- Technological Innovations and their effects on musical creation and copyright system - Caio Mariano (Brasil)
- The Creative Commons and the new forms of creative collaboration – Ronaldo lemos e Cláudio Prado (Brasil)
- Touring Brazil with the Brazilian Music Guide – Bruno Boulay (França/Brasil)
- Tax incentives in Brazil: A source os funds for music? – Cristiane Olivieri (Brasil)
- Understanding music distribution in Brazil…Key issues from promotion to taxation– Eduardo Muszkat (Brasil)
- Releasing foreign artists (Carlos Eduardo Miranda (Brasil)
- How to build a national music export Office – the experience of 1 year of German Sounds – Peter James (reino Unido / Alemanha)
- Record Producers: cheaper yhan therapy? – Bem Mandelson (Reino Unido)
- Swimming among sharks: Global strength for local labels– Bettina Schasse de Araújo (Alemanha)
- Breaking brazilian music in the european market – Jenny Adlington e Jody Gillet (Reino Unido)
- French festivals and the year of Brazil – Bertrand de Laporte (França)
- Best practices for entering the U.S. market via radio, print, television, e-commerce of digital downloads – Sean Barlow (EUA)
- Independent labels in Brazil – A good way? – Silvio Pellacani (Brasil)
- The current copyright challenge in Brazil – Fernando Yasbek (Brasil)
- ABMI- The brazilian independent label network – Pena Schimidt (Brasil)
- Re:Combo – Na experience in collective, decentralized and open creativity – H.D. Mabuse (Brasil)
- The new music and cultural industries in China and Africa – Dagfinn Bach (Noruega)
- Games: a soundtrack for music – André Araújo (Brasil)
- Virtual figures? Sheet Music? Karaokê? How to make money through virtual music teaching on the internet – Américo Amorim (Brasil)
- MSN Music na the Smithsonian Folkways archive – a music and technology collaboration – Jon Kertzer (EUA)
- South-South cultural connections – Brazil and Southern Africa - Roshnie Moonsammy (África do Sul)
- Brazilian Music: the seductive global muse – Beco Dranoff (Brasil)
- Punk meets global – Aki Nawaz (Paquistão/Reino Unido)
- Booking foreign artists – Tônia Schubert (Brasil)
- Impasses in musical coverage in the digital age – Israel do Vale (Brasil)
- ses São Paulo´s music and market iniciatives – Paulo Casale (Brasil)
- Is culture a business? The importance of Professional training in the culture market – Ary Scapin (Brasil)
SHOWCASES:
Samba de Côo Raízes de Arcoverde (Pernambuco – Brasil)
Domenico +2 (Rio de Janeiro – Brasil)
Mei tei Sho (France)
Dj Dolores (Pernambuco – Brasil)
Maciel Salú e o Terno do Terreiro (Pernambuco – Brasil)
Helder Vasconcelos e Imaimaná (Pernambuco – Brasil e Colômbia)
Chico Correia e Eletronic Band (Paraíba – Brasil)
Re: Combo (Pernambuco – Brasil)
Orquestra Popular da Bomba do Hemetério (Pernambuco – Brasil)
Cabruêra (Paraíba – Brasil)
La Phaze e Manu Chao (France)
Aki Nawaz (United Kingdon)
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